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there are two versions of Shushan Zhuan

2022-07-17| 发布者: 风华供求网| 查看: 135| 评论: 1|文章来源: 互联网

摘要: Remakinginthefilmandtelevisionindustryisascommonassinginginthemusicworld.However,anypopularandfamousfilmandtelevisionworkswillalwaysberemadebylatecome......
  Remaking in the film and television industry is as common as singing in the music world. However, any popular and famous film and television works will always be remade by latecomers. Remaking is nothing else, just to prove that they can surpass classics. Unfortunately, countless people have been beaten in the face, and of course, there are many quite classic remakes.

  But today, the black history editor wants to talk about the six classic films that have not been successfully remade. Don't say much, open!

  In 1974, the three brothers of Xu's "ghost horse two stars", I'm afraid there are few brothers in Hong Kong's entertainment industry that can have such a great influence as the three brothers of Xu's. whether it's film and television or music, it's not too much to say that they have created a new era. And the film "ghost horse Rhapsody" led by them was an unparalleled classic in the hearts of Hong Kong people at that time, perhaps to pay tribute, In 2004, Wei Jiahui remade a "Rhapsody of ghost horse". Although the film was joined by two film emperors Liu Qingyun and Wu Zhenyu, and then Gu Tianle, Chen Xiaochun, Cecilia Cheung and Gillian, it was still badly filmed, empty and boring.

  In the 83 version of Shushan Zhuan, there are two versions of Shushan Zhuan, one is the 1983 version and the other is the 2001 Version, but the directors of both are Tsui Hark. That is to say, Tsui Hark seeks to constantly break through himself in this film, but unfortunately he failed to break through. Although the 2001 Version of Shushan Zhuan has many strange stunts, it is still a little less than the 83 version.

  In 2002, "Infernal Affairs", the only film and television work that can really be obtained after the return of Hong Kong in 1997, was remade by the famous American director Martin Scorsese in 2005. The star is still Xiao Lizi, but in contrast, I still have to admire the Hong Kong directors. The Hong Kong directors were also elated. After all, the Hong Kong version was shot like the Three Kingdoms, while the American version was shot like the water margin.

  In 1995, Stephen Chow's "journey to the west", the classic without saying much, those who can understand the journey to the West are now middle-aged. Lu Guanting's "love in life" has baptized the soul, but such a work that touches the soul is still sullied by others. Then it is the same director, who has always wondered why Liu Zhenwei still has to film the journey to the West. It's really idle and painful.

  Finally, classics can't be copied. Wouldn't it be better to calm down and enjoy the beauty once? Why do I have to copy?
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